Tomorrow, Tomorrow, Tomorrow

TOMORROW, TOMORROW, TOMORROW starts where most films about homeless kids end, the day after they are taken in, we assume it’s a happy ending – but what really happens next?

This film tackles the emotional and ethical challenges that arise when a determined, idealistic and thoroughly unprepared American cinematographer decides to support three Mongolian orphans.

Told over the span of six years, TOMORROW TOMORROW TOMORROW is a deeply personal film and an honest portrait of how storytellers and their characters impact each other. As the filmmaker and central character, Martina grapples with what it means to intervene in a meaningful way. Ultimately she has to ask herself who is helping whom.

The film addresses the messiness of love and belonging and the universal experience of parent-child relationships – while at the same time Martina questions the power imbalance and accountability that arise when we look and document.